Six actors portray six personas of music legend Bob Dylan in scenes depicting various stages of his life, chronicling his rise from unknown folksinger to international icon and revealing how Dylan constantly reinvented himself.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
1963 "North Country Blues" "With God On Our Side" "Talkin' World War III Blues" "Who Killed Davey Moore?" "Only a Pawn in Their Game" "Blowin' In The Wind" 1964 "Mister Tambourine Man" Johnny Cash sings "Don't Think Twice, It's All Right" Joan Baez sings "Mary Hamilton" "It Ain't Me Babe" "With God On Our Side" "Chimes of Freedom" 1965 "If You Gotta Go, Go Now" "Love Minus Zero/No Limit" "Maggie's Farm" "Like a Rolling Stone" "Mr Tambourine Man" "It's All Over Now, Baby Blue"
A documentary road movie composed as a pop album. Twelve text snippets by Bob Dylan give just as many fans a basis to elucidate their relationship with the legendary folk singer who then turned 65. This produces a portrait of Dylan followers in the US, which appears to be as divers as the population of this dominant world power. Two schoolgirls that sing to their idol, a therapist that bases his lessons on Dylan, an ultraconservative website administrator, a soldier packing his things for Iraq and some figures that have placed themselves, consciously or not, outside society. Dylan himself is conspicuous by his absence. The tumbling cardboards with text scraps refer to the music video of Subterranean Homesick Blues from DA Pennebaker's Dylan portrait Don't Look Back (1967). It gradually becomes clear that you can always put yourself in the right with Bob, because everybody can distil their own truth from his lyrics, as long as you interpret them creatively.
Fischer can't remember the last time he woke up without a hangover. He lives in a church: a real one. Where people baptize, marry, pray and die. It's an ideal situation for a young guy with no aspirations: if he locks up the church, he can sleep in the back. Free of charge. 6:00am. Tuesday morning. Fischer's old friend from high school shows up unannounced. Even though they haven't seen each other in years, Peter just drove 10 hours straight because his girlfriend of five years just cheated on him. He's looking for a place to hide. To think. To drink. What better place than Fischer's church? After leaving 50 unanswered voice-mails, Rudy shows up four days later. That's Peter's girlfriend. She didn't cheat on him. She did something much worse.
Once one of the leaders of the 1968 protests, Sasa Belopoljanski is now an out-of-work architect who makes "movers" for living, some funny little mediapan mobiles which nobody takes seriously but him. Dreaming about the honest world free of corruption, Sasa deliberately refused all kinds of work that didn't fit into his revolutionary ideas. Eventually he crosses the path of a group of men involved in construction business, which he sees as a chance for his long-awaited professional success. But these people have other plans...
Over the course of one week in 1988, the search for a missing teammate, parental expectations, a burgeoning sexual awakening and the rock concert of the century all threaten to jolt a 16-year-old into adulthood. With the long Victoria Day weekend signaling the end of school, and the Stanley Cup playoffs afoot, the summer of 1988 arrives in Toronto. Ben Spector, a smart, sensitive kid from a Russian immigrant family, hits the Bob Dylan show with his buddies and runs into Jordan Chapman, the class jerk and Ben's tormentor on the ice-hockey rink. Jordan is five dollars shy of scoring some drugs, and Ben begrudgingly spots him the dough. But the next day, Jordan fails to show up at school or hockey practice. With days passing and Jordan's whereabouts a mystery, Ben finds himself in an uncomfortable predicament, especially when a romance with Jordan's sister tentatively blooms in the midst of the ordeal.